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The Diffusion of Rules
Tess Walsh reviews the New York premier of Naomi Wallace’s SLAUGHTER CITY.
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We Must Make Our Ghosts Our Guests
In installment one of her series “Letters from London,” writer and cultural producer Sarah Kornfeld discusses the opening of Ibraaz, a new arts and cultural space dedicated to visual culture from Middle East and North Africa (MENA) region.
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Doing It Wrong Together: Alexa West’s “Jawbreaker” and the Choreography of Strain
Actual transformation will generate friction and call for care; work will require rest, and resentments made will require dialogue.
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In Conversation with Celine Song
Celine Song talks to editor Eve Bromberg about her play Family, working across theater and film, and the limitations of Starbucks.
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Everyone is The Expert in Something
Cody Herrmann talks to Sabina Sethi Unni about her public space performance “Flood Sensor Aunty”
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The Inheritance of a Second Face and Divine Monstrosity: Celine Song’s FAMILY at La Mama
Writer Tess Walsh reviews the latest production of Celine Song’s Family at LaMama.
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In A Devotion to Service, Kat Sotelo’s Lifetime(s) of Devotion
When you realize this, it feels like a punchline finding its hit.
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The Gothic Gets into My Dream World: A Conversation with Sibyl Kempson
And rather than looking harder at the actual landscape, she urges the landscape painter to go faster, so that via their painting, she can catch a better glimpse, and better see what she is seeing, better know what she thinks she knows…
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Cameron Stuart in conversation with Theresa Buchheister | VIVIAN OBLIVION at The Brick Theater Oct 9-12
Do acts of kindness beget rewards? Do we become deeper by adding depth to others? It is hard to say, actually; I think the verdict is still out. But we have all the evidence we need, from history and from our own lives, that violence only begets more violence.
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Where Colors Have Meaning and Theatre Isn’t A Play: Julio Torres’ COLOR THEORIES
Color Theories by Julio Torres is not an Off Broadway Play. It may look like a play, sound like a play, smell like a play, but Julio assures us, it’s
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“Discomfort in a Comfortable Place”: On Slanted Floors with Billy McEntee
Billy McEntee’s Slanted Floors is an intimate exploration of a couple, Kaplan and Teddy, as they go through their day apart and then come together at night. The twist? We
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Liba Vaynberg’s Jewish, Fannish Dramaturgy
The Matriarchs: detailed, metatextual, instructive, joyful, pleasurable, cozy, unexpected, provocative, and confidently obsessed with the inner lives of women at the margins of a male-dominated text.
