A Return to “Performance”
Looking anew at unconventional performance through the work of Arturo Vidich, Claude Wampler and Harrison Atelier
Looking anew at unconventional performance through the work of Arturo Vidich, Claude Wampler and Harrison Atelier
Arturo Vidich’s performance piece The Daedalus Effect and other dilemmas is memorable, if unpleasant. It begins with Arturo seated in the center of The Invisible Dog, on a crude one-legged stool that is affixed to his hips. We are instructed to remove our shoes and
Back in April, Culturebot was invited to curate a week of events as part of Exit Art’s grand closing-down retrospective; our exhibit, “Ephemeral Evidence,” granted one-day performance residencies to a series of artists, and ended in a phenomenal bash featuring Yves Klein art wrestling, a
Culturebot faves Rebecca Patek, Liz Santoro, and Arturo Vidich bring works-in-progress to the Museum of Arts & Design
In April, the editorial team behind Culturebot spend a week occupying part of Exit Art with a team of performing artists; here the artists recount their experiences
As part of Exit Art’s group show “Collective/Performative” that just opened in conjunction with their 30 year retrospective, Culturebot will be in residence from April 17-21
Rats and water onstage in a video-installation drama of survival and communion
CBOT’s weekend what’s what
NYC arts presenters want artists to be paid better, the Department of Homeland Security says multiculturalism isn’t culture, playwrights argue over who’s fault it is they’re so poor, and more
Food and puppet performance at Incubator Arts followed by Arturo Vidich helping to close out “Body Madness: Absurdity & Wit” at Danspace