Everything is there where you got nothing left. Dan Safer at La MaMa Moves, finally.
Dan Safer is the devil you’ve been dying to dance with and Ae Andrea’s enviable lines and swag make them an optimal fiend friend for that card.
Tag Archives: Dan Safer
Paul Swan is Dead & Gone
A composite of quite ordinary gestures that combine to make something novel, much in the way the entire play uses old poses in service of a show much more than an aesthetic or expressionistic dance.
Dan Safer On Interpreting Charles Mee
The director of Witness Relocation discusses staging an odyssey through a yard-sale in their third production of a new play by Charles Mee
Talking with the Creators of “Ubu Sings Ubu”
Tony Torn and Dan Safer talk about how they out together the coolest show onstage this month
Giant Yves Klein All Out Attack
“Giant Yves Klein All Out Attack” – Dan Safer, Mike Mikos wrestling in paint at Exit Art as part of Culturebot’s “Ephemeral Evidence” project.
Culturebot’s EPHEMERAL EVIDENCE at Exit Art
As part of Exit Art’s group show “Collective/Performative” that just opened in conjunction with their 30 year retrospective, Culturebot will be in residence from April 17-21
Alec Duffy Talks Secret Societies & Hoi Polloi’s New Show
In “All Hands,” opening this week at IAP, the Obie-winning company stages its largest exploration of how Americans stage community yet
APAP 2012 Showcase: Dan Safer on Witness Relocation’s “Small Incision…”
The choreographer and director behind the well-known dance-theater company speaks about the aleatory performance being showcased at DNA
Playing With Cinema at The Invisible Dog
American artists – NTUSA, Miguel Gutierrez, Annie-B Parson and Dan Safer – use a few minutes of a French movie as the basis for their performances. Presented in association with Les Subsistances.
Drinking Buddy (featuring Marylouise Burke)
Kaz Phillips Safer directs Marylouise Burke and friends in a video for David Clement‘s new song “Drinking Buddy”
A Week of Playgoing: Target Margin, Witness Relocation & Nonsense Co.
Target Margin studies ESL and Witness Relocation surprises, while Nonsense Company could stand a fresh pair of eyes
Haggadah Rocks.
Okay. So long story short. Some of you saw my lecture at JTS (I will post the video soon) where I demonstrated how The Wooster Group’s Hamlet was more Jewish than The Folksbiene Yiddish Theatre’s staging of Gimpel Tam. Trust me, it makes sense. Basically,