So you’re a dramaturg. What inspired you to pursue dramaturgy? I discovered it while I was in undergrad as a devised theatre major. At that point, I was a bit of a generalist, as we were encouraged to be—I’d done some acting, directing, writing, stage
Every story needs to be considered individually for us to have any chance at finding something that looks like justice.
Alexandra Beller and Ivan Talijančić in conversation about choice-making, dramaturgy, and building Mindflock.
Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.