John Wilkes Booth is quite the man about town these days—or about the theater, and in two towns, really. Luigi Creatore’s An Error of the Moon, about John and his brother Edwin, plays through October 10 at the Beckett Theater in New York, directed by
There are no chickens anywhere on the superbly decorated submarine on which Charlotte Ford’s CHICKEN takes place—no real chickens, and no metaphorical ones, either. Lauren Dubowski reviews the show.
As a preview, Lauren Dubowski talks with the Festival’s Producing Director, Nick Stuccio, about what’s new and exciting in the Live Arts this year.
With the Live Arts Festival & Philly Fringe just around the corner, Culturebot contributor Lauren Dubowski talks with Headlong and Pig Iron about the growth of performance training initiatives in Philadelphia. (Photo: Audience and faculty look on at an HPI Open Salon showing.)
Grow up is such a relative term. I’m sure this questions gets lots of creative answers.
The current mayor of Philadelphia, Michael Nutter, is making some smart decisions in his approach to arts policy in his city. For one, he re-opened the Office of Arts and Culture just after taking office (former mayor John Street – yeah, the guy whose team
[I’m tired, I’ll try and add links later!] Okay so Wednesday I headed down to HERE ARTS CENTER to see OH WHAT WAR, Mallory Catlett & Co.’s new multimedia meditation on war from the doughboy’s perspective. The set looks like a WWI trench populated by
This is a quick trip. Last night I got into town and saw Jerome Bel’s Pichet Klunchun and Myself which I didn’t get to see in NYC. It was just a wonderful and everyone said, really fantastic. And it was in a relatively intimate space
Friday I headed down to Philly to see a few shows at the Live Arts festival. I’m feeling kinda lazy on this Monday holiday, so forgive the lack of linkage. You’ll have to use a little more of your google-y skills. First up was Sweet