Tag Archives: The Kitchen

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step and repeat.

Last night took us to Capitale for the Kitchen Benefit. Superglam. Do you know what a “step and repeat” is? Neither did I until I started covering these events. A “step and repeat” is when the publicist herds “bold faced names” in front of a

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feel the realness

i’ve been busy so i’m behind the curve on this one but i want to chime in on Big Art Group‘s SOS at the Kitchen. I, for one, loved it. It is the Big Artiest of all their shows, the culmination of years of work

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the shipment and some loose ends

Last night i finally got to see the latest version of Young Jean Lee’s THE SHIPMENT at The Kitchen. I thought it was fantastic. I had seen an earlier version and knew basically what to expect, but I was really impressed nonetheless. In some ways

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The Kitchen: “Anger/Nation”

Photo by Paula Court, On entering The Kitchen this Saturday, I was curious to see how Radiohole had dealt with Chelsea’s sizable performance space for the staging of ANGER/NATION, their latest production. The company usually performs at the Collapsable Hole, a theater made from two

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Ann Liv Young. Solo

Ann Liv Young is coming back to The Kitchen October 2-4 (Thursday through Saturday) with The Bagwell in me, a new theatrical solo performance based on the life and loves of George Washington. Featuring original music by Young, The Bagwell in me begins with an

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Creative Time Summer 2008

Good stuff from Creative Time all summer long… Throughout the summer Creative Time will present selections from fashion icon, agent provocateur, and founder of the Sex Pistols Malcolm McLaren’s new video series Shallow at 44 1/2: MTV’s outdoor, gilded, HD screen in the heart of

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Oph3lia, Hamlet, Macbeth & More

Okay I was going to do this in a logical way, starting with the first show and moving on up in time to this afternoon (Sunday). But I can’t do it that way because I have been moved to tears and almost to speechlessness by

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For Reasons of State

My friend Steven is one of the curators of this exhibit. It looks great: The exhibition “For Reasons of State” makes knowledge available to the public that is otherwise censored or misrepresented due to governmental and/or corporate influence. This counter-information challenges the security claims and