Tag: the tank
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The Feel of City Politics and Fifty Pounds of Pudding
Contributor Kevin Ritter-Jung in conversation with the Sour Milk team about their production of DIRT at The Tank Theater until February 15th.
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A Family Affair: Mare Nostrum Elements at the Tank for IHRAF 2025
Theo Armstrong on new works by A Heather Dutton/Middle Child Dance Theatre, Emily Tarrier + Emory Ferra Campbell, and Ke’ron J. Wilson
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The Inner-Inarticulate of KARA & EMMA & BARBARA & MIRANDA
Through their inner-experience, we see that the women’s profound losses and fears are surrounded by decidedly mundane and glancing frustrations – the very kind that eat away at all of our sense of agency but are the stuff of the everyday absurd
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PUFFY HAIR: A Fabulously Feral Feminist Fantasia… with Farts
Not a “solo show” but also not not a solo show
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The Return to ‘Sustained Energetic Collisions’ …in Red Hook: Ben Gassman’s BOTTE DI FERRO
Gassman is the real article, the authentic listener, who has heard in the city’s woke and hip aspirations, its angry and tired lives, and its ever-evolving demography the real meaning of ordinary anguish.
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The Literacy of Delight – In Conversation with Bailey Williams and Sarah Blush
You can get close to truth but you can’t ever – in my opinion – I don’t think any story is ever true.
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The Reactions and Theatricals of Caitlin Saylor Stephens
Life is triggering. I am triggered constantly. You either choose to run away from that reality, be victimized by it, or lean into it by accepting the truth of your own experience.
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Five Questions with Miranda Haymon
What, for the theater, are our tablecloths, forks, spoons, plates and bowls that maybe aren’t actually serving us anymore? Is how we are making theater and performance the best way it could exist, or is there a better version?
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What Makes Us Feel (Anxious)
The anxiety vortex of What Makes Us Feel Good shoots one into the black hole of anxiousness.
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“These People Seem Like Republicans”: Rebecca Patek takes on shame, rapey logic and misogyny with CHASM
With CHASM I wanted a way to get that back because I feel like that’s not about a career, or being an artist, it’s mine, it’s what I do, it’s what I’ve always done. It feels necessary for survival.
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Mieke D Responds To PILLOWTALK’s 2nd Long-Table: On Queer and TransMagic in the Werkplace
“Money is not the root of all evil. The love of money is the root of all evil.” We need money, but money is not the only way to define our value.
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PANIC EVERYTHING’S FINE offers catastrophe and coping mechanisms
You could call it an exploration of the butterfly effect on a schizophrenic scale.