Author: admin
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LAVA’s “encyclopedia” at the Flea Theater
Culturebot’s Jeremy Finch catches Brooklyn’s LAVA downtown, in a new show that mixes dance and acrobatics into an engaging and thoughtful performance
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The Magic Bird of Cannes
Culturebot contributor Marina Shron shares her impressionis of the film festival at Cannes in this personal essay.
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“2280 Pints!” at Dance Theater Workshop
CBOT’s Jane Jung talks buckets and homecomings with choreographer Neta Pulvermacher, whose new show comes to NYC this week
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Target Margin Theater’s “The Tempest”
Director David Herskovits and performer Steve Rattazzi discuss the company’s imaginative new production of “The Tempest,” opening this week at HERE Arts Center
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Talking With Muna Tseng About “Stella” at Danspace Project
The Bessie-award winning choreographer discusses her latest performance-installation work
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Mei Yamanaka and Laurel Snyder at the Tank
Mei Yamanaka continues developing the piece we caught at Fresh Tracks, and Laurel Snyder showcases a trio of new works
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Ursula Eagly’s “Group Dynamics and Visual Sensitivity” at Danspace Project
Choreographer Ursula Eagly combines dance and comic books in a way to make Julie Taymor (and her investors) green with envy
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Audience As Subject at YBCA
SF-based Culturebot Contributor Moe Beitiks sent this report from the opening of the Audience As Subject exhibit at Yerba Buena Center for the Arts.
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My Experience Last Night at the Steampunk Haunted House
Kathryn O’Shields shares her experience at the Steampunk Haunted House. Mwahahaha!
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Save the Date for Red Shoes at St. Ann’s Warehouse
Former Culturebot Contributor Beatrice Barbareschi sends a note from London to recommend “The Red Shoes” at St. Ann’s Warehouse November 19 – December 12.
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Frosted Hair and Wagner at Their Best: “The Ring Cycle” at the Bushwick Starr
Culturebot contributor Julia Furlan reviews PL115’s Ring Cycle (Part 1 and 2) at The Bushwick Starr.
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A Look at the 2010 Steampunk Haunted House
Kathryn O’Shields is the documentarian for the 2010 Steampunk Haunted House and has contributed this essay to Culturebot.
