Year: 2012
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The Future At The End Of The World
Check out “The Future at the End of the World”, an immersive, interdisciplinary group performance in the largely abandoned offices of the James A. Farley Post Office in Midtown Manhattan. Curated by Andy Horwitz, presented and produced by Immediate Medium.
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The Long Table on “Liveness” and Technology at Culturehub’s Media Circus
Culturebot co-hosts a discussion into the future of performance
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At Spring St Studio with Aki Sasamoto
Aki Sasamoto’s Centripetal Run, at the Chocolate Factory this week, is a return to theater for an artist who works in multiple fields.
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On the Practice of 600 Highwaymen
“The ensemble has to generate its own very particular vocabulary in order to articulate the words and actions that the play demands and to get people comfortable in grounding their presence on stage.”
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Organized Fragments from a Conversation with Lucy Guerin
Culturebot’s Buck Wanner talks to choreographer Lucy Guerin about her piece “Untrained” that opens this week at BAM.
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Art In The Age Of Digital Reproduction (and Distribution)
Andy on “Roman Tragedies” at BAM and what dance can learn from Beck and the Grateful Dead.
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WITNESS RELOCATION SUMMER PERFORMANCE BOOTCAMP
Join Witness Relocation and friends for a two week intensive dance/ theater workshop
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AUNTS “Populous” at Chashama
AUNTS “Populous” is the latest creative insurrection by this loose anarchic roving collective of choreographic contras.
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First Person with Neal Medlyn
The inaugural “First Person” where we invite artists to share their thoughts on their work, practice and the state of the field
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“Mies Julie” at St. Ann’s Warehouse
A fierce South African reconception of Strindberg’s play falters under the weight of the racial, economic, and social issues
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Shana Moulton, I’m Sorry (and other important things)
Andy apologizes to Shana Moulton and muses on art, context, personal histories and the interwebs.