Andy Horwitz

Detroit and Other Apocalypses

With the election looming Andy meditates on America and some shows he saw over the past few months.

October 31, 2012

Curatorial Practice and Cultural Production

Another section of Andy’s multipart essay “The Economics of Ephemerality” examining the relationship between performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.

October 21, 2012

Amy Whitaker’s Performance Lecture at NYLA

Amy Whitaker gives a performance lecture on the market before Keith Hennessy’s “Turbulence”

October 15, 2012

Panel As Performance: Deconstructing The Performa Event

This is the first section of a multipart essay Andy is writing called “The Economics of Ephemerality” which examines the relationship of performance and visual art from a variety of perspectives including economics, curatorial practice and cultural ecology.

October 11, 2012

Re-Framing The Critic for the 21st Century: Dramaturgy, Advocacy and Engagement

Culturebot’s Andrew Horwitz proposes a new framework for the critic in the emerging arts landscape and how that new role can facilitate change and innovation sector-wide.

September 5, 2012

Iver Findlay talks about “fractured bones/let’s get lost” at Performing Garage

An interview with Iver Findlay about “fractured bones/ let’s get lost,” a new work from Findlay//Sandsmark in collaboration with Eric Dyer of Radiohole and video game modder Victor E. Morales

September 1, 2012

On Social Practice and Performance

Social Practice, Civic Practice, Socially Engaged Art – what do we mean when we talk about this kind of work and how can we do it better?

August 28, 2012

Stephen Petronio “Intravenous Lecture” at TEDMED

Stephen Petronio explains the history of post-modern dance by, well, dancing it. Beautiful and amazing.

August 1, 2012

Culturebot Says: Don’t Miss MATERIAL WORLD!

Last Friday night I saw Dan Fishback’s THE MATERIAL WORLD, directed by Stephen Brackett at Dixon Place and it is quite possibly the best new musical I have seen come from downtown in a decade, maybe longer. It has been extended so you have no excuse for missing it.

July 24, 2012

Author: Andy Horwitz