Author: Brendan McCall
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What Divides Us
Brendan McCall reflects on “The Totality of All Things” by Erik Gernand, directed by Shannon Patterson.
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Leni’s Many Faces
Contributor Brendan McCall on James Clements’ play BEAUTY FREAK.
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A Post-Apocalypse Ballad
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
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A Tasty Array
Contributor Brendan McCall on New York Theater Ballet’s performance of program LEGENDS & VISIONARIES at Judson Church in early April.
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TOTALLY GROSS
Contributor Brendan McCall on Dan Safer SPIDER RABBIT starring Tony Torn currently playing at La MaMa.
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Intentional Collapse
Contributor Brendan McCall on TOUCH featuring Anthony Rapp.
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When to Speak Up, How to Let Go?
Contributor Brendan McCall responds to the premier of Barry Boehm OUR HOUSE presented by THE OTHER SIDE OF SILENCE at A.R.T/New York Theatres.
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Linguistic Pyrotechnics
Contributor Brendan McCall on Elevator Repair Services’ ULYSSES at The Public Theater.
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Magical Connections
Contributor Brendan McCall on Suzzanne Ponomarenko’s TAPESTRIES and Dominica Greene’s OPENINGS, part of of The OUT FRONT Festival curated by Pioneer Go East Collective.
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Shared Dreams, Temporary Realities
Contributor Brendan McCall on Alessia Palanti’s “All In Your Head” presented at Arts on Site.
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Her Discontented Body
Let social media posts or opinion articles in the paper give us “answers” to challenging subjects. Let dance or theater (or both) instead give us time to look at our contradictory selves.
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A Dark Future Now
Brendan McCall reviews Tim Blake Nelson’s newest play And Then We Were No More at La Mama.