Last night’s performance at the Joyce Theatre—the other half of the alternating double-bills they’re running this week—is a perfect illustration of what I was writing about yesterday when I faulted Camille A. Barnes’ choreography for relying too heavily on the music, and letting her own
At the end of the world premiere of Gallim Dance‘s Wonderland—the first half of last night’s split bill at the Joyce Theatre, along with work by Camille A. Brown—the audience responded with an enthusiastic round of applause that didn’t quite translate into a standing ovation.
There’s a sequence about two-thirds of the way through Smithsoniansmith, the dance piece by Scott Heron and Hijack Dance that finishes its run at Dixon Place’s Hot! Festival this weekend (Thurs.-Sat., tickets $10 advance), that captures the way this trio explores movement. Dancer Arwen Wilder
Half Straddle‘s Nurses in New England, playing through Sat., July 31 as part of the Soho Think Tank’s Ice Factory, is hardly without its charms. Tongue firmly in cheek, playwright Tina Satter sends up virtually every medical TV show cliche through this musical set in
Late last week and over the weekend, trying to dodge out on the heat, I caught three of the performances in the closing week of undergroundzero festival at P.S. 122.