Category: Points of View
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“Palestine is For Everybody” | Theater Workers for a Ceasefire (TW4C) Solidarity Fest Panel
A conversation with Robin D.G. Kelley, Rashid Khalidi, and Ysabella Titi at Solidarity Fest, organized by Theater Workers for a Ceasefire (TW4C) | Galvanizing artists and cultural workers to deepen their commitment to collective liberation and bring about change in their respective creative domains, localities, and workplaces.
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Reflections on We The People: Assembly of New York Artists
Subways that work. Spaces to create. Spaces to live. Healthcare for bodies and minds. Opportunities to come together. Getting paid on time. That is not too much to ask.
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Talia Corren, Gregory Mosher, + Theresa Buchheister in conversation | We The People: Assembly of New York Artists
The Co-Executive Director at A.R.T.-NY., the Executive Director of The Office of the Arts at Hunter College, and an artist who is trying to move back to New York come together to imagine and create a more sustainable environment for New York artists.
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The City That Listens: Immersion and the Nervous System of London
Letters From London dispatch #2 | Diving deep into the sensory heart of London’s immersive art scene.
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We Must Make Our Ghosts Our Guests
In installment one of her series “Letters from London,” writer and cultural producer Sarah Kornfeld discusses the opening of Ibraaz, a new arts and cultural space dedicated to visual culture from Middle East and North Africa (MENA) region.
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In Her Solo Show MY WAY, Isabel Monk Cade Confronts and Then Arrives Home
I first heard Isabel Monk Cade read her essay My Way–which has since become, through a collaboration with director Joy Donze, a fully-staged solo show– as part of The Dogtown […]
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Some Thoughts on Cultural Asset Mapping
Building arts and culture infrastructure? Here are some lessons learned from a community-based cultural asset mapping initiative in South Los Angeles.
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“When The End Becomes The Beginning:” Okwui Okpokwasili and Peter Born’s adaku part 1: the road opens
Adaku’s forced departure forever alters her connection to reality — she is absorbed into the unknown, which marks the start of our inquiry. Her trauma, epistemically, is our starting point.
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On NYCB’s 75th Fall: Leadership, Youth, and Deviation
This fall, NYCB kicked off the celebration of their 75th anniversary dedicating the entire season to the work of George Balanchine, the company’s co-founder and artistic realizer. On the night of October 11th, to memorialize the first-ever performance of The New York City Ballet at New York City Center, the company put on the exact…
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Meghan Moe Beitiks on Prague Quadrennial 2023
PQ has “evolved into a platform, which explores progressive approaches, new media, virtual spaces and interdisciplinary relations.”
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The Theater(s)We Need Now
Okay. I wrote a really long discursive essay about The Theater(s) We Need Now – and I didn’t even dive too deep into the arts admin weeds – but I […]
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Creating New Futures: A Statement in Solidarity with Emily Johnson & Calls to Action
I hope the more arts workers and others share these stories, the more clear and obvious the focus on change becomes. —Emily Johnson