Magda & Chelsea “Vulgar Early Works” at FringeArts Studio Series
Magda & Chelsea talk to Elena Light about vulgarity-as-life-force, Magda’s drawn-on beard, and their future lives as indie film stars crushing tangerines between their breasts.
Magda & Chelsea talk to Elena Light about vulgarity-as-life-force, Magda’s drawn-on beard, and their future lives as indie film stars crushing tangerines between their breasts.
Thoughts on Kate Benson’s “A Beautiful Day in November…”
Jerry Lieblich reflects on Daniel Fish’s A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again
An audio post! A theatre writer and dance writer discuss Faye Driscoll’s THANK YOU FOR COMING: ATTENDANCE.
Welcome to Culturebot’s resource page for news and responses on Under the Radar, COIL, AR, Prototype, APAP, and showcases from your trusty correspondents
This month, Brooklyn-based choreographer Nadia Tykulsker and her collective, Spark(edIt) Arts, will debut a pair of performance endeavors. The first is a new work, Saw You Yesterday, made for four dancers atop a continuously spinning platform. The second is a new curatorial initiative, Soft Openings,
Stormy Budwig considers honesty, youth, fear, Marina, Ann Liv, and Sherry.
Performance-maker Andrea Kleine returns after a ten-year hiatus with a piece inspired by a tendentious 1977 on-air interview with Yvonne Rainer
Lighting designer Elliot Jenotopoulos in conversation with Alexandra Pinel.
Playwright Kyoung H. Park interviews Young Jean Lee about her play Straight White Men, running at The Public Theater through December 14th.
Filmmaker Sam Green on his live documentary “The Measure of All Things,” screening at The Kitchen this weekend.
A belated hello from Culturebot’s new Editors, Lydia Mokdessi and Sarah Rose Leonard