Middle Passage in Twenty Minutes: The AFROFUTURISM Series
“At this crossroads/carrefour/kalfu at which we find ourselves, let our decisions to move forward be based on fearlessness of change and the possibility of the fantastic.”
“At this crossroads/carrefour/kalfu at which we find ourselves, let our decisions to move forward be based on fearlessness of change and the possibility of the fantastic.”
X-ID, a pop-up repertory company, will bring together a diverse group of theater artists to examine the occurrence of intercultural cross-play on American stages.
An essay response to the Big Outdoor Site-Specific Stuff Festival (Oct. 23-25, 2015)
Both Warhol and Buzzfeed would be happy about pursuing an obvious choice, I think.
thINKingDANCE’s Zornitsa Stoyanova reflects on performing unclothed in “shatter:::down” and “Mylar Storms”. Philadelphia, 2013.
Hannah reflects on Patricia Hoffbauer’s “Dances for Intimate Spaces and Friendly People” and Jesse Zaritt & Jumatatu Poe’s “More Mutable Than You”.
They’re going to tensely wait until we are done clapping so this liminal purgatory between art and not art can be over. They’re going to endure this awkwardness.
Angela Mariana Schöpke and Alicia Diaz talk Puerto Rico, Bomba, and cultural heritage in contemporary dance.
Rennie McDougall responds to Joanna Kotze’s FIND YOURSELF HERE at Baryshnikov Arts Center.
Alaina Ferris chats with Gelsey Bell about thingNY’s opera THIS TAKES PLACE CLOSE BY.
Andy’s report from Festivals Edinburgh and the Momentum Symposium.
“Does art actually DO anything? That’s very nestled into my concept of time travel.”