Category: Feature
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We’ll Get This in Post
Thoughts on McFeely Sam Goodman’s Afterward. (Photos by Kelly Stuart)
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To Jen Rosenblit; for Clap Hands
If we were all on the same page we’d be irrelevant, so thank you for the confusion.
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Sense, Semiotics, & Sensibility
Some sentences on Alex Borinsky’s The Witches
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Radouan Mriziga @ NYLA Live Ideas
Recognition of the dance-becoming-functional, of completing a circuit between both halves, is undoubtedly gratifying. We are irresistibly, maybe placidly, hypnotized by the all-seducing power of the circle, and this dually lulls with its familiarity while entrancing with timelessness.
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Alive as Fuck: PIONEERS!#goforth at JACK
At the start of playwright/director William Burke’s PIONEERS!#goforth at JACK, we are seated. We are in little chairs. We see a huge net, hanging above us, watching us. JACK’s perimeter begins to rumble with the war chants of a fearless ensemble. Then there is that voice, Catherine Brookman’s voice, which has always sounded to me…
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Target Margin’s “Drunken With What” Tackles O’Neill’s Take On Greek Drama
David Herskovits’s latest investigation into the art of theater kicks off with a pared down adaptation of “Mourning Becomes Electra”
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Mothership of a Fleet of Festivals: My First Under the Radar
Festival profile: Under the Radar, New York
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IN>TIME Performance Festival, Taking Up Residence in Chicago
The IN>TIME Performance Festival continues through March 2nd at various venues throughout Chicago, including the Museum of Contemporary Art, Links Hall, 6018 North, and Sector 2337. Full details can be found at in-time-performance.org.
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On the Art of the Immersive, or Is This Even Theater?
Dan O’Neil reflects on immersive theater making via a response to THE GRAND PARADISE
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Steve Paxton on Robert Ashley Opera-Novel Quicksand
That is, of course, impossible, I don’t know what Ashley was thinking [laughter].
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Read a Book: Jaamil Olawale Kosoko’s #negrophobia as a lesson in sitting in pain
I’m drawn to the body, repelled by the face. I think of Stop and Frisk Watch apps. I think of fear.
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Minor Threats: Chris Thorpe & Rachel Chavkin’s Confirmation at The Invisible Dog, COIL Festival 2016
I haven’t thrown a dildo in the mailbox for Oregon, but I’ve belatedly followed the white militia’s armed occupation of a wildlife refuge and the ensuing conversations around who is labeled a terrorist, and how race and gender – in both sly and slap-you-in-the-face ways – shapes the narrative and physical treatment of these men.…