New Ways to Talk About the ‘Work’ – a course-driven response to ANIMALS
An exploration of the ‘course-driven’ theater structure via CHASE – WHAT MATTERS MOST at Dixon Place
An exploration of the ‘course-driven’ theater structure via CHASE – WHAT MATTERS MOST at Dixon Place
A decade after he helped pioneer theater blogging, director Isaac Butler looks back
Jerry Lieblich and Jarrett Moran go in-depth about poop and mass
Or, All The Questions I Was Too Shy/Chicken To Ask At The Just Like A Woman Long Table.
An essay response to the Big Outdoor Site-Specific Stuff Festival (Oct. 23-25, 2015)
Both Warhol and Buzzfeed would be happy about pursuing an obvious choice, I think.
A non-machine-based response to ‘Futurity’, a co-production between Ars Nova & Soho Rep playing at the Connelly Theater through Nov. 15, 2015.
A response to Rude Mechs and Deborah Hay’s MATCH-PLAY at New York Live Arts
The following is an excerpt from Chapter 20 (pp. 261 – 264) of Mark Fisher’s book How To Write About Theatre, published by Bloomsbury and released in paperback in August, 2015. In any discussion about theatre and criticism, there’s usually one wag who stands up
Th opening of “Life & Times – Episodes 7-8-9” marks the end of Nature Theater of Oklahoma as an ensemble of makers and players.
Open Spectrum Critical Community Dialogues: Faces of Resistance: Young, Organized & Unified (#FORYOU)
She looks directly at me, and I show her how I’m listening. The exchange has nothing to do with language.