Maura Donohue reflects on the political relevance of La Mama’s production of “Pylade” in NYC and on tour in Europe.
harunalee, the wildly imaginative performance ensemble helmed by Kristine Haruna Lee, is transforming The Club at La Mama into a memory palace. The piece is said to be “a little bit cosmos and a little bit party.” Wanting to know a little bit more, Culturebot
Today’s revolution, soon to be rendered in strobe-washed detail by the performance group Motus at La MaMa
A response to Teatro Patologica di Roma’s MEDEA at La MaMa
Maura responds to Alexandra Beller/Dances and Alexandra responds back.
Trash Cuisine and Can’t Get Right 2.0
Jim Neu, the cowboy of downtown theater
I saw Witness Relocation’s Daily Life Everlasting by Charles Mee at LaMama. Then I wrote a poem.
The director of Witness Relocation discusses staging an odyssey through a yard-sale in their third production of a new play by Charles Mee
Maura Donohue talks to Charlotte Brathwaite about “Prophetika: An Oratorio” at La MaMa
Science meets performance to delve into the sleepy subconscious on stage.
Sam Alper talks about LOVEPLAY/PLAYMONEY, opening next week at LaMama.